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What
thinks François Kevorkian about this subject:
"The way
I see it, CD audio is on its last legs, as a patently inferior medium
which only existed with that butt-ugly sound because it was invented in
1978, and there were severe technical limitations back then. We are more
than 25 years later!...
If you analyze the field for digital cameras, they seem to double
resolution every 2 years.
Digital audio is not quite evolving that fast, but since you are going to
spend all of that time and energy making real-time copies, why not
transfer to a good-sounding format (even if you want to burn CD's from it,
which is relatively easy to do) which will stand the test of time for the
next 10 years and sound much more 'glorious'?
Go 24-bit 96 kHz and play those files from a hard drive or from a DVD. I
know, I know.... actually, I would recommend DSD, but only the rock
engineers have access to those kinds of budgets. Mid you, there's a
stunning TASCAM DVD recorder that records DSD in native format. At $1299
street price, with varispeed, it is giving heart attacks to those who just
spent $15,000 on a high-definition 2-channel master audio recording
system.
But CD
quality is just such a total farce on large sound systems, actually 16-bit
/ 44.1 kHz in general. DJ's that play CD's in big clubs just sound BAD,
TINNY, (not tiny) EDGY, FLAT, compared to someone with vinyl; no woof, no
bottom warmth, high end that shrills your ears.
Is anyone listening out there?
So this is my suggestion: invest in your future. Unless you look forward
to having to re-do it all in a couple of years. Of course, if this is just
a hobby, I take it all back. Just burn it directly into your iPod and
you'll be fine...
There are many fine tools out there to do this, and some of them are quite
inexpensive. Firewire audio interfaces in the $500 range. Hard disks that
hold 300 Gigabytes of data for $200.00 !!! You spend a year encoding
everything, and your CD book gets stolen, or some of them get scratched
and damaged; did you have a plan B?.... Backup, backup!
There is no question that the encoding is very important, and that it is
crucial to not just use a good cartridge but also a top-notch A/D
converter, and if possible a system which catches peaks before you get to
digital, such as Apogee's 'Soft Limit' which allows to put plenty of level
where it counts: IN THE ANALOG DOMAIN. Why use a mixer. Get a stand-alone
high-quality phono pre and bypass another couple of stages for yet clearer
sound!!
There's so much more to this.
FK"
Tascam DV-RA
1000
manual
Apogee
Rosetta 200
manual
I would recommend:
Creek OBH18 phono pre-amp
Grado or
Shure cartridges with a nice turntable
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